El Señor de Ojo Zarco |
La Capilla de Ojo Zarco
Originally the home of the eponymous crucifix, this is the largest of the Ixtla chapels. Also referred to as El Templo del Barrio, it is built on a raised platform of possible prehispanic origin.
Approached by a flight of stone steps, the restored chapel boasts a rare, triple tiered tower and features an
simple arched entry, decorated with foliar reliefs.
Archangels with sweet faces and flowing robes guard the doorway on either jamb.
One unusual feature is the sculpted stone sill, a likely transplant, carved with angel heads and writhing relief foliage in early colonial style.
The spacious interior is covered with polychrome murals, although in very poor condition. These include the ample dome and drum with shell motifs and scrolled decoration.
A special feature of the chapel is its handsome carved cross, facing the church atop a massive, two tier octagonal base. The cross springs from a domed, ribbed pedestal in the form of a squash or barrel cactus, as we saw at Nonoalco.
The cross-within-a-cross design frames numerous small Passion reliefs that include the face of Christ at the axis emitting rays of the Tres Potencias.
Five miniature Wounds are crowded on the upper shaft, while the Sun and Moon appear on the arms. Several other Passion objects appear, including the Thirty Pieces of Silver in columns along the lateral facets.
text © 2014 Richard D. Perry. images by Niccolò Brooker, Diana Roberts and others.
video by Sergio Serrano
Archangels with sweet faces and flowing robes guard the doorway on either jamb.
One unusual feature is the sculpted stone sill, a likely transplant, carved with angel heads and writhing relief foliage in early colonial style.
The spacious interior is covered with polychrome murals, although in very poor condition. These include the ample dome and drum with shell motifs and scrolled decoration.
A special feature of the chapel is its handsome carved cross, facing the church atop a massive, two tier octagonal base. The cross springs from a domed, ribbed pedestal in the form of a squash or barrel cactus, as we saw at Nonoalco.
The cross-within-a-cross design frames numerous small Passion reliefs that include the face of Christ at the axis emitting rays of the Tres Potencias.
Five miniature Wounds are crowded on the upper shaft, while the Sun and Moon appear on the arms. Several other Passion objects appear, including the Thirty Pieces of Silver in columns along the lateral facets.
text © 2014 Richard D. Perry. images by Niccolò Brooker, Diana Roberts and others.
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