In this and a subsequent post we tackle the preeminent monument in the city: the cathedral of the Assumption. See our earlier post on the cathedral crucifix.
This unique baroque building boasts three facades of unparalleled ornamental richness, informed by a popular feeling. Begun in 1729, several noted designers and architects contributed to its final appearance. In this first post we look at the west front of the cathedral, a classic example of Mexican horror vacui with no surface left undecorated.
A relief of God the Father stands alone in the surmounting gable niche, accompanied by musical angels almost lost in the mass of surrounding floral relief.